ECSTATIC

Film

2/17/22

The Fugitive Kind

 






Sidney Lumet, 1960

Posted by J. Hedrick at 1:27 AM
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest

No comments:

Post a Comment

Newer Post Older Post Home
Subscribe to: Post Comments (Atom)
My photo
J. Hedrick
"The power of the image, our fear of it, the thrill that pulls us toward it, is real. Short of closing one's eyes - in cinema, a difficult and unprecedented act - there is no defense against it." --Amos Vogel, "Film as a Subversive Art"
View my complete profile

Subscribe to Ecstatic Screen Notes on Substack

Search This Blog

Translate

Blog Archive

  • ►  2023 (24)
    • ►  March (2)
    • ►  February (13)
    • ►  January (9)
  • ▼  2022 (220)
    • ►  December (8)
    • ►  November (10)
    • ►  October (15)
    • ►  September (12)
    • ►  August (14)
    • ►  July (15)
    • ►  June (19)
    • ►  May (19)
    • ►  April (17)
    • ►  March (30)
    • ▼  February (35)
      • Beginning
      • What Do We See When We Look at the Sky?
      • Psych-Out
      • Alice in Wonderland
      • Encanto
      • Take Aim at the Police Van
      • A Bullet for the General
      • Possum
      • Riders of Justice
      • List
      • Grass
      • Screen Notes: Nightmare Alley (Vision in Darkness ...
      • Yourself and Yours
      • Tattooed Life
      • The Unknown
      • The Fugitive Kind
      • Zatoichi and the Chest of Gold
      • The 36th Chamber of Shaolin
      • Deep Blue Sea
      • Bound for Glory
      • Nightmare Alley
      • Radio On
      • Night Has a Thousand Eyes
      • Slumber Party Massacre
      • The Fly
      • Kubo and the Two Strings
      • Wheel of Fortune and Fantasy
      • The Other
      • The Dark Corner
      • Nightmare Alley
      • The Effect of Gamma Rays on Man-in-the-Moon Marigolds
      • Circle of Iron
      • City on Fire
      • Shockproof
      • Screen Notes: Scream; Being the Ricardos
    • ►  January (26)
  • ►  2021 (240)
    • ►  December (27)
    • ►  November (24)
    • ►  October (28)
    • ►  September (20)
    • ►  August (25)
    • ►  July (21)
    • ►  June (23)
    • ►  May (29)
    • ►  April (15)
    • ►  March (8)
    • ►  February (8)
    • ►  January (12)
  • ►  2020 (137)
    • ►  December (8)
    • ►  November (4)
    • ►  October (3)
    • ►  September (6)
    • ►  August (13)
    • ►  July (16)
    • ►  June (10)
    • ►  May (19)
    • ►  April (20)
    • ►  March (12)
    • ►  February (10)
    • ►  January (16)
  • ►  2019 (72)
    • ►  December (7)
    • ►  November (8)
    • ►  August (2)
    • ►  July (11)
    • ►  June (8)
    • ►  May (12)
    • ►  April (3)
    • ►  March (4)
    • ►  February (2)
    • ►  January (15)
  • ►  2018 (111)
    • ►  December (3)
    • ►  November (5)
    • ►  October (3)
    • ►  September (8)
    • ►  August (7)
    • ►  July (12)
    • ►  June (15)
    • ►  May (22)
    • ►  April (2)
    • ►  March (6)
    • ►  February (18)
    • ►  January (10)
  • ►  2017 (189)
    • ►  December (18)
    • ►  November (18)
    • ►  October (17)
    • ►  September (5)
    • ►  August (12)
    • ►  July (17)
    • ►  June (19)
    • ►  May (25)
    • ►  April (18)
    • ►  March (9)
    • ►  February (10)
    • ►  January (21)
  • ►  2016 (5)
    • ►  August (2)
    • ►  January (3)
  • ►  2015 (4)
    • ►  December (4)
  • ►  2014 (2)
    • ►  January (2)
  • ►  2013 (13)
    • ►  December (1)
    • ►  October (1)
    • ►  August (2)
    • ►  July (1)
    • ►  June (5)
    • ►  May (1)
    • ►  April (2)
  • ►  2012 (28)
    • ►  September (1)
    • ►  July (2)
    • ►  June (2)
    • ►  May (3)
    • ►  April (7)
    • ►  March (6)
    • ►  February (2)
    • ►  January (5)
  • ►  2011 (63)
    • ►  December (8)
    • ►  November (5)
    • ►  October (35)
    • ►  September (10)
    • ►  August (5)

Blogs

  • The Filmmaker Magazine Blog
    Will & Harper and the Netflix Effect
    1 hour ago
  • Pinnland Empire
    LOVE LIES BLEEDING
    2 days ago
  • itsamadmadblog
    The Current Cinema 24.4
    2 days ago
  • Kevin John Bozelka
    Item: Concept Films Sometimes Good
    2 days ago
  • The Voracious Filmgoer
    Tis the Season:HOT FROSTY, THE BEST CHRISTMAS PAGEANT EVER, RED ONE, and CHRISTMAS EVE IN MILLER'S POINT
    3 days ago
  • Sergio Leone and the Infield Fly Rule
    THE TEXAS CHAINSAW MASSACRE (1974) at 50
    3 days ago
  • The Sheila Variations
    And speaking of Megalopolis …
    4 days ago
  • This Island Rod
    Gladiator II (2024)
    4 days ago
  • Acidemic
    King Devil says Go for It: DR. SATAN (1966), DR. SATAN VS. BLACK MAGIC (1968)
    1 week ago
  • Diagonal Thoughts
    Shadows of the Unseen / Movement Radio 42
    2 weeks ago
  • Observations on film art
    A memorial slide show for David
    4 weeks ago
  • Anna's Blog
    Post Factum Introduction to Bluebeard's Castle
    3 months ago
  • The Seventh Art
    Maya Miriga (1984)
    4 months ago
  • Sunset Gun
    Happy Birthday Elliott Gould
    1 year ago
  • Some Came Running
    Summer 2023 Blu-ray/4K Ultra Consumer Guide
    1 year ago
  • Rupert Pupkin Speaks
    New Release Roundup for the week of March 22nd, 2022
    2 years ago
  • Self-Styled Siren
    National Silent Movie Day: Manhandled (1924)
    3 years ago
  • Moon In The Gutter
    Tina Aumont: 1946-2006
    17 years ago
Show 10 Show All

Film Sites

  • 366 Weird Movies
  • Adrian Martin
  • Bad Lit: The Journal of Underground Film
  • Bright Lights Film Journal
  • Cahiers du Cinema
  • Cinemascope
  • DVD Beaver
  • Film Comment
  • Film School Rejects
  • Film Slate
  • Film Threat
  • Film-Philosophy
  • Indiewire
  • Internet Movie Database (IMDb)
  • j. hoberman
  • Jim Hemphill
  • Johnathan Rosenbaum
  • Movie: A Journal of Film Criticism
  • Moving Image Source
  • Offscreen
  • Reverse Shot
  • Rouge
  • Senses of Cinema
  • The Academic Hack
  • The Criterion Collection
  • The Pink Smoke
  • Ubu Web
Awesome Inc. theme. Powered by Blogger.